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Florence Colliery miners going on a demonstration, 1984
During the miner's strike of 1984/1985 many miners and strike supporters travelled to demonstrations around the country. In later years it became illegal to picket any place of work other than your own.
One ...
Florence Colliery, Longton
Lantern slide with a view of a "modern pit head." Taken at Florence Colliery, Nr. Longton, Stoke-on-Trent, Staffordshire. Photographed by William Blake.This lantern slide appears to be one of a group ...
Florence Colliery, Longton
Florence Colliery was named after the eldest daughter of the 3rd Duke of Sutherland, the original mine owner. the first shaft was sunk in 1874, there were three shafts by 1916 and eventually the colliery ...
Florence Colliery, Longton
Lantern slide with a view of Florence Colliery, Stoke-on-Trent, Staffordshire. Photographed by William Blake.
Named after the Duke of Sutherland's daughter, the pit was opened in 1874 and was worked ...
Florence Colliery, Longton
Florence Colliery was named after the eldest daughter of the 3rd Duke of Sutherland, the mine owner. The colliery became the Florence Coal and Iron Company in 1896 and was expanded to three shafts in ...
Florence Colliery, Longton
Florence Colliery, named after the the Duke of Sutherland's (the colliery owner) daughter, the pit was opened in 1874 and was worked until 1990. It was a productive pit. Situated near Longton Park it ...
Florence Colliery, Longton. Photographed by William Blake.
Industrial landscape including Florence Colliery, Longton, Stoke-On-Trent, Staffordshire.
Named after the Duke of Sutherland's daughter, the pit was opened in 1874 and was worked until 1990.
Florence Colliery, Longton. Photographed by William Blake.
Industrial landscape taken at Florence Colliery, Stoke-on-Trent, Staffordshire.
Named after the Duke of Sutherland's daughter, the pit was opened in 1874 and was worked until 1990.
Florence Colliery, Longton. Photographed by William Blake.
Industrial landscape taken at Florence Colliery, Stoke-on-Trent, Staffordshire.
Named after the Duke of Sutherland's daughter, the pit was opened in 1874 and was worked until 1990.
Florence Colliery, Longton. Photographed by William Blake.
View of a "modern pit head." Taken at Florence Colliery, Nr. Longton, Stoke-on-Trent, Staffordshire.
This image was used for a presentation or slide show by Blake entitled “Staffordshire Pottery.” ...
Florence Colliery, Longton. Photographed by William Blake.
View of Florence Colliery, Stoke-on-Trent, Staffordshire.
Named after the Duke of Sutherland's daughter, the pit was opened in 1874 and was worked until 1990.
Florence Colliery, Normacot
Photograph taken from Watery Lane, looking south-west. Florence Colliery, named after the the Duke of Sutherland's (the colliery owner) daughter, the pit was opened in 1874 and was worked until 1990. ...
Florence Colliery. "Working Own Seam". Photographed by William Blake.
People picking their own coal from a surface seam during the coal strike of 1912. Taken at Florence Colliery, Stoke-on-Trent, Staffordshire.
Named after the Duke of Sutherland's daughter, the pit was ...
Florence Colliery. Photographed by William Blake.
View of Florence Colliery, Longton, Stoke-on-Trent, Staffordshire.
Named after the Duke of Sutherland's daughter, the pit was opened in 1874 and was worked until 1990.
Florence Colliery. Photographed by William Blake.
View of Florence Colliery, Stoke-on-Trent, Staffordshire.
Named after the Duke of Sutherland's daughter, the pit was opened in 1874 and was worked until 1990.
Florence Colliery. Photographed by William Blake.
View of Florence Colliery, Stoke-on-Trent, Staffordshire.
Named after the Duke of Sutherland's daughter, the pit was opened in 1874 and was worked until 1990.
Florence Colliery. Photographed by William Blake.
View of Florence Colliery, Stoke-on-Trent, Staffordshire.
Named after the Duke of Sutherland's daughter, the pit was opened in 1874 and was worked until 1990.
Flower Maker's Tea Strainer.
Flower maker's tea strainer.
Used in 'open work' to make the centre of ceramic flowers.
A pad of clay would be pressed onto the mesh, creating an imprint similar to that of a flower centre.
This ...